Showing posts with label wildwood. Show all posts
Showing posts with label wildwood. Show all posts

Monday, March 13, 2017

Review: Cybele's Secret

Cybele's Secret

by Juliet Marillier
Book 2 of Wildwood

~ Goodreads ~

Rating:  3.5 Stars


It's been some time since reading the first book in this duology, Wildwood Dancing.  And while some details are quite memorable, others are a little hard for me to recall without digging out my review and refreshing my memory.

There is one thing that I can say for certain:  Juliet Marillier's writing is forever and always magically amazing!  There's just something about her use of words, her imaginative creations, and her interesting characters...  And to repeat myself from my review of Wildwood Dancing, she has a way with her creativity that allows you to see her world and her setting so vividly--though Cybele's Secret DOES take place in the real world more than the fantasy world, it still feels like a fantasy world with all the mystical, magical elements presenting themselves.

On a side note, or two:

I had gone into Cybele's Secret thinking that, like Wildwood Dancing, it was based on some fairy tale.  But it quickly became apparent that this second book is a story of it's own, based in the same fantastical world Marillier had created from the first book.  There is really no retelling in sight, and instead, she makes use of the mythical Anatolian goddess, Cybele, to build a quest for our main characters.

Second, I can readily say that I personally liked Cybele's Secret more than Wildwood Dancing; however, Cybele's is less memorable for the fact that it DID tend to drag out in a monotonous way as the story build-up progressed in the beginning.


The Story:
Paula travels with her father to Istanbul as his assistant, determined to show him that she is capable of helping him work his trade, as well as acquire a special item that must remain a secret from others in merchant circles.  It is called Cybele's Gift, and very few know of it's existence, and any mention of this item could bring forth unwanted attention from the wrong people, simply because of the symbolism Cybele's Gift stands for--an old religion that must be abolished by the mainstream cultures.

As Paula is now situated in a place where the culture for women is quite different than what she is used to, and could present as dangerous to her, Paula's father insists on hiring a bodyguard, both to escort her when necessary and to keep her safe.  And so Stoyan, a large, dark-haired Bulgarian man-boy enters the picture.  Even as Paula goes about her day-to-day, assisting her father with his trade business, conducting her own research at the revered Irene of Volos's sacred learning sanctuary for women, she seems to have picked up a quest given her from the Other Kingdom.

The Other Kingdom is the fantastical world she and her sisters had gone to often years prior, where they partook in the magical festivities of the fairy folk, such as dancing and feasting.  Paula, herself, had always spent her time there in conversation with the more scholarly folk.  But the portal had been long since closed to the sisters, and so now that something presenting itself from the Other Kingdom has made its appearance, Paula has found herself more than excited for a chance to see what is going on.

Because whatever the quest she's been given, it might also pertain to Cybele's Gift, as well as her now lost sister Tatiana.  And meanwhile, the acquisition of said item might not be as secret as Paula and her father thought it was, since many others have been invited to its viewing, including the dashing, infamously known Portuguese pirate Duarte da Costa Aguiar, who seems to have taken a shine to Paula.


My Thoughts:
I must admit, even though nothing really stands out about Cybele's Secret, I DID really enjoy reading it.  But there is also a whole lot of story going on in this one book as well, and I can't help but notice that, even though everything is, indeed, based around one quest and one progressing story line, the book sort of, almost, feels like two (or maybe even three) separate stories.  It's kind of like playing a video game with a introductory cut scene, then a "Part 1: Developing the Hero" stage where our main characters build up their inventory and knowledge for the future quest, and then we go on to "Part 2: The Quest" and actually go on the adventure to complete the quest.  Then you get an epilogue of sorts, a "Part 3: After the Adventure" type of conclusion.

Of course, it's written rather more enchantingly than a simple video game walk-through... or even my own half-baked summary above.

Cybele's Secret is a well-written tale of myth, adventure, and inspirational lessons.  But I have to admit, the awkward repetition given by Paula about how the Other Kingdom's quests are often laid out specifically to teach people lessons started getting a bit tedious after the third or fourth time she mentions it.  I mean, what are fairy tales if not created to teach our youth some sort of story to live by?  And I'm also going to admit that during the actual quest... really Paula seemed a bit useless as the brains of this expedition--the majority of the time, it was Stoyan who figured out each challenge and how to go about completing them.  Answering a few riddles was all fine and dandy, and gives Paula a chance to showcase her scholarship and intelligence, but the rest of the time, she kind of just stands there and frets, which made me a little frustrated.  Especially since we keep going on and on about how she's the smart one who knows how to solve all the puzzles thrown at her.

While I'm on my brief rant of what I didn't care for in this book:  I didn't care for the awkward, forced insertion of our love triangle... if you could even call it that.  Truth be told, the chemistry between Paula, Stoyan, and Duarte felt more like friendship than romance.  And I can't help but to feel that a triangle was inserted more for the sake of having a love triangle rather than that it made sense.

But aside from that, I DID absolutely enjoy Cybele's Secret, and found the interaction Paula had with all the characters, including her love interests, quite intriguing.  The discussions she had with both Stoyan and Duarte were intelligent and thoughtful.  Her interactions with Irene were inspirational.

The story line and progression were easy to follow, unfolding smoothly as each event presented.  Well... all except for that little snag between the unofficial parts one and two (see above), where I really, really think that that scene happened because there was no other way to transition.

Meanwhile, the main villain of the story was really not so hard to spot when said villain starts displaying annoying erratic behavior, including being an uninvited busy body in Paula's life.

So... even as I finish writing this review, it occurs to me that I don't really know whether I truly liked this book more than the first of the Wildwood duology... or if maybe the two books kind of stand on equal footing.  Admittedly, I was more frustrated with the young characters of Wildwood Dancing than our trio in Cybele's Secret--though Duarte DID come close to making me roll my eyes or head-desk a few times.  Paula herself could have been a bit less love-struck--this seemed a bit out of character for her.


Sunday, November 6, 2016

Review: Wildwood Dancing

Wildwood Dancing

by Juliet Marillier
Book 1 of Wildwood
*Based on The Twelve Dancing Princesses and The Frog Prince

~ Goodreads ~

Rating:  3.5 Stars


Juliet Marillier has a way of creating a world and a culture within her books that are so vivid, descriptive, and that feels so alive, like this particular place SHOULD exist SOMEWHERE in real life. Her writing style is magical, her characters are colorful--and for a mish-mash retelling of The Twelve Dancing Princesses and The Frog Prince, she puts a very excellent spin to the fairy tales. On top of that, there's a great interlacing of vampiric lore.

For me, Wildwood Dancing is a conflicting book to rate. On the one hand, the writing is excellent, the world is wonderful, the characters are proportionately good as well as flawed, and the lore of the world is intriguing. On the other hand, the story itself was a little confusing, and the kids in this book were kind of frustrating in their theatrical angst and dramatic woes--when they were happy and having a good time, it was fun to follow, but when they were having their own emo-fests, it got a little irksome.

Nonetheless, I still enjoyed this book a lot, flipping through pages with a hungry need to devour each word.


The Story:
The story of Wildwood Dancing takes place in Transylvania; the imagery presented of the Dancing Glade, the woods, the castle of Piscul Dracului is atmospheric.

Jenica and her four sisters (Tatiana, Paula, Iulia, and Stela) cross through a portal into the Other Kingdom every Full Moon to join in the festivities of the fey creatures where they converse with the beings of the Other Kingdom and dance all night. This is an activity they look forward to each and every month.

Back in their own world, however, the girls are now faced with a sickly father who must leave to recuperate his health in another city, far away. He puts Jena and Tati in charge of the household, responsible for business, finance, and taking care of their younger sisters. But as the days progress, their situation becomes more and more complicated and Jena finds that being the sensible one, the sister with all the answers, is much more of a struggle than she had expected.

Her cousin Cezar has swept into their household; under the guise of "looking after" the girls, he has thrown a possessive, tyrannical hand into controlling the home and lands of Piscul Dracului. Jena is losing control of her own household, too afraid of and too respectful of his position as a male cousin, to fight back and regain her own household.

Tatiana has fallen in love with a mysterious boy from the Other Kingdom who may be one of the Night People. With the dangers connected to talk and lore of the Night People, Jena is frightened for Tati's life should this mysterious boy choose to hurt her. But Tati has taken to moping around and daydreaming, and pretty much wasting away in the name of love.

With only her best friend, a frog named Gogu whose sentient thoughts only she can hear, supporting her each day, Jena must overcome these complications and she must figure out what to do to protect her sisters as well as regain control over Piscul Dracului, all while struggling without news of her father's health.

Finally, we also learn early on that Cezar has a dark, vengeful mindset against the creatures and beings of the Other Kingdom. Many years ago, his elder brother Costin was drowned to death in the Deadwash in the woods and Cezar claims that it was the witch of those woods, Drăguţa, who dragged him under. Ever since then, Cezar has vowed to eliminate all the faerie folk in existence, even if it means leveling out the entirety of the woods.


Some (Read: A Lot) of My Thoughts:
There is actually a whole lot more that happens throughout Wildwood Dancing, but if I were to summarize everything, it might get a bit long-winded. The main conflict is fairly straight forward, though, with Tati's growing relationship with Sorrow and Cezar's tightening control on the girls and their household being the major issues Jena must deal with.

As I've stated, the world is created brilliantly with all forms of characters who matter, whether they are side characters, cameo characters, or the main characters; and an extensive culture of people and places that can be further expanded upon if the author so chooses to continue writing stories in this world.

I absolutely adored Jena and her relationship with Gogu; they had a sweet development and a love based on trust and understanding. And I loved the interaction between the sisters.

What I found a little frustrating, however, was that I wasn't sure if I was angered by the characters' irrational acts because Ms. Marillier created them so life-like, or if I was just irritated by the situations being thrown at Jena because Ms. Marillier created such emotionally-charged, personal conflicts. Or was it really just certain scenes and certain characters who irked me?

Jena was strong and despite the fact that she had little success standing up for herself, it was really the thought that mattered in this particular book. With so many things going against her--Cezar's bullying control, Tati's irrational behavior upon falling in love, her younger sisters being unable to share the burden, and everyone, in general, looking to Cezar for leadership because he's a man--it's wonderfully admirable that she tried to stand-up for herself and her household time and time again. Because despite the fact that Jena has been taught by her father to learn the business and manage the finances properly, her position as a girl (and a young girl, at that) has made it hard for anyone to see her as a leader in the household, save for her immediate household.

No matter how much more logical Jena's train of thought was compared to Cezar's chauvinist ideas, Cezar's looming dominance always warned against her continued defiance of him. No matter how often she disagreed with Cezar's actions and ideas, he would merely blow her off like she was an ignorant child, never taking her seriously and never truly listening to anything she said.

I was constantly frustrated on her account. I was frustrated that she allowed Cezar to continue bullying her in her own home; but then I was frustrated because I knew that she had little success of fighting against Cezar--physically or publicly--and winning without someone bearing some scars. She feared him because he was bigger and stronger physically, and she also didn't want to anger him because he was family; however, because she didn't agree with all of his ideas, she tried her best to tactfully put him in his place and explain to him his ignorance.

Not that it really worked--Cezar is one stubborn douche-nozzle.

I continued to be frustrated when Cezar kept finding more reasons to exert his dominance over the girls with his own twisted logic of narrow-minded explanations. My frustration only grew with each instance of his continued prejudiced mindset. I continued to be even more frustrated each time Jena's arguments against her cousin were simply met with his further belittling and ignorance.

I was also frustrated when Tati, the eldest sister, began shirking all of her duties and her responsibility for her sisters just because she had fallen in love with a man who lived in the Other Kingdom and could only see him once a month. The way she could only think about her love with claims of "You just don't understand true love like what I'm going through!" further grated on my nerves. And despite all the warnings of keeping their visits with the Other Kingdom a secret lest anyone be put in danger, Tati's actions simply do the exact opposite: running off to wander the woods every night hoping to see Sorrow, rushing off to the Other Kingdom during Dark of the Moon to find Sorrow, meeting with Sorrow in plain sight despite the danger. Generally, her putting her own need to see and be with Sorrow above everything else really kind of doubled all my frustration.

And I don't want to spoil the end of the book; but simply put, the last few chapters after the main conflict was resolved went by in a dragging fashion. It has to do with Tati and what she did that made me truly believe that she is a one-tracked, narrow-minded, very selfish individual who doesn't understand how to listen to others or how to think about life outside of her own desires.

There really is a distinct difference between the sensible Jenica and too-sensitive Tatiana. Both had fairly grand romances happen to them within the scope of the story--Tati's love is one of forbidden romance where she and Sorrow both fall hard, fast, and eternal, while Jena's love is one built of friendship and trust, and many, many years of progressive development. But while Tati mopes around and wastes away in the name of love, Jena continues to strive to take care of her family, bearing all the burden on her shoulders as each day goes by.


Final Thoughts:
Wildwood Dancing is an extremely well-written young adult book with romance, adventure, a magical fairy tale atmosphere, and characters that make you feel proud, but also characters that drive you batty. While the romances are a pretty large plot line in the book, they are surprisingly subtle. Jena's conflict with Cezar and with Tati and then with the Night People are the main priorities.

The conflicts and their resolutions, however, are fairly predictable at the outset. Getting to that conclusion, however, was an interesting journey.

Unfortunately, the story of Wildwood Dancing itself DOES feel a little directionless and for the first half of a book, I wasn't quite sure where we were going with the progression. Then we settle on two specific conflicts and all seems to tie together quite well.


***

This book is a pre-chosen participant in the following Reading Challenge(s):



This review was originally posted at Ani's Book Abyss / BookLikes in March 2015.